RECOMMENDED READINGS AND RESERVE LIST
Bibliographies from other courses:
Dürer, Goltzius & Professional Engravers
Northern Renaissance Art
Print Connoisseurship
Sets, Series, Portfolios, Periodicals, Publishers, & Print Organizations
Ackley, Clifford S. Printmaking in the Age of Rembrandt.
Acton, David. The Stamp of Impulse. Abstract Expressionsit Prints.
Adams, Clinton. American Lithographers 1900-1960.
Armstrong, Elizabeth, Images and Impressions: Painters Who Print.
Baas, Jacquelynn, & Field, Richard S. The Artistic Revival of the Woodcut in France 1850-1900.
Bialler, Nancy, Chiaroscuro Woodcuts. Hendrik Goltzius (1558-1617) and his Time.
Boston Museum of Fine Arts. Rembrandt, Experimental Etcher.
Boyle-Turner, Carolyne, The Prints of the Pont-Aven School. Gauguin and his Circle in Brittany.
Brettell, Richard, et. al. The Art of Paul Gauguin.
Burke, James D. Charles Meryon Prints & Drawings.
Carey, Frances, and Griffiths, Antony, The Print in Germany 1880-1933 The Age of Expressionism.
Carroll, Margaret Deutsch. "Rembrandt as a Meditational Printmaker." The Art Bulletin 43 no. 4 (Dec. 1981): 585-610.
Carlson, Victor, & Ittman, John. Regency to Empire, French Printmaking 1715-1814.
Cate, Phillip Dennis, ed. The Graphic Arts and French Society, 1871-1914.
Field, Richard, and Ruth Fine. A Graphic Muse, Prints by Contemporary American Women.
Field, Richard S., et.al. American Prints 1900-1950: An Exhibition in Honor of the Donation of John P. Axelrod.
Field, Richard S. "Gauguin's NOA NOA Suite." Burlington Magazine 110, no. 768 (Sept. 1968): 500-511.
Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art.
Fine, Ruth. Drawing Near, Whistler Etchings from the Zelman Collection.
Forrester, Gillian. Turner's 'Drawing Book' The LIber Studiorum.
Gilmour, Pat. The Mechanised Image, An Historical Perspective on 20th Century Prints.
Gilmour, Pat, ed. Lasting Impressions: Lithography as Art.
Goddard, Stephen. The World in Miniature: Engravings by the German Little Masters, 1500-1550.
Goddard, Stephen, et. al., Les XX and the Belgian Avant-Garde: Prints, Drawings, and Books, ca. 1890.
Griffiths, Antony. Prints and Printmaking.
Hoffmann, Konrad. "Dürer's "Melencolia." Print Collector's Newsletter IX no. 2 (May-June 1978): 33-35.
Hults, Linda. The Print in the Western World.
Ivins, William M. Jr. Prints and Visual Communication.
Jacobowitz, Ellen, & Stepanek, Stephanie. The Prints of Lucas van Leyden and his Contemporaries.
Landau, David, and Peter Parshall, The Renaissance Print.
Levenson, Jay A. et. al. Early Italian Engravings from the National Gallery of Art.
Leeflang, Huigen, Ger Luijten, et. al. Hendrick Goltzius (1558-1617) Drawings and Prints.
Mayor, A. Hyatt. Prints and People, a Social History of Printed Pictures.
Melot, Michel, Antony Griffiths, & Richard S. Field. Prints, History of an Art.
Metcalfe, Louis R. "A Prince of Print-Collectors: Michel de Marolles, Abbe de Villeloin." Print Collector's Quarterly 2 (1912), pp. 317-340.
Moxey, Keith. Peasants, Warriors, and Wives: Popular Imagery in the Reformation.
Orenstein, Nadine M. et al. Pieter Bruegel the Elder. Prints and Drawings.
Panofsky, Erwin. Albrecht Dürer.
Parshall, Peter and Rainer Schoch. Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public.
Pon, Raphael, Dürer, and Marcantonio Raimondi : copying and the Italian Renaissance print.
Prelinger, Elizabeth. Edvard Munch Master Printmaker.
Prelinger, Elizabeth. Käthe Kollwitz.
Prelinger, Elizabeth. The Nabis and the parisian Avant-Garde.
Reed, Sue Welsh, and Richard Wallace. Italian Etchers of the Renaissance and Baroque.
Reed, Sue Welsh, French Prints from the Age of the Musketeers.
Rigby, Ida. An Alle Kunstler! War - Revolution - Weimar. German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation.
Riggs, Timothy, and Larry Silver. Graven Images: The Rise of Professional Printmakers in Antwerp and Haarlem 1540-1640.
Sayre, Eleanor, et. al. The Changing Image: Prints by Francisco Goya.
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art.
Stone-Ferrier, Linda. Dutch Prints of Daily Life. Mirrors of Life or Masks of Morals?
Stone-Ferrier, Linda. "Rembrandt's Landscape Etchings: Defying Modernity's Encroachment," Art History no. 4 (December 1992): 403-433.
Talbot Charles. Dürer in America.
Tallman. The Contemporary Print from Pre-Pop to Postmodern.
Wye, Deborah. Committed to Print.
Zerner, Henri. The School of Fontainebleau: Etchings and Engravings.