ADDITIONAL RECOMMENDED READINGS
Aikema, Bernard, and Beverly Louise Brown, eds. Renaissance Venice and the North. Crosscurrents in teh Time of Bellini, Dürer, and Titian. New York, 1999.
Benesch, Otto. The Art of the Renaissance in Northern Europe. Cambridge, 1945.
Biographie Nationale. Brussels.
Blum, Shirley. Early Netherlandish Triptychs, a study in patronage. Berkeley, 1969.
Bruges. Groningemuseum. Anonieme Vlaamse Primitieven. 1969.
Butts, Barbara and Lee Hendrix. Painting on Light. Drawings and Stained Glass in the Age of Dürer and Holbein. Los Angeles, 2000.
Campbell, Lorne. The Fifteenth Century Netherlandish Paintings., London, 1998.
Campbell, Lorne. Renaissance Portraits : European Portrait - Painting in the 14th, 15th, and 16th Centuries. New Haven, 1990.
Comblen-Sonkes, Micheline. Guide Bibliographique de la Peinture Flamande du xve siècle / Bibliographic Guide for Early Netherlandish Painting. Brussels, 1984.
Corpus de la peinture des anciens Pays-Bas meridionaux (Les Primitifs Flamands, I). Brussels, 1952- .
Crew, Phyllis Mack. Calvinist Preaching and Iconoclasm in the Netherlands: 1544-1569. Cambridge (England), 1978.
Cuttler, Charles D. Northern Painting from Pucelle to Bruegel / Fourteenth, Fifteenth, and Sixteenth Centuriies. New York, 1968.
Detroit, Institute of Arts. Flanders in the Fifteenth Century: Art and civilization. Oct.-Dec., 1960.
Earls, Irene. Renaissance Art: A Topical Dictionary. New York,1987.
Ehrenberg, Richard. Capital and Finance in the Age of the Renaissance. A Study of the Fuggers and their Connections. New York, 1928.
Folie, J. "Les oeuvres authentifiées des Primitifs flamands." Bulletin de l'Institut royal du Patrimoine artistique 6 (1963): 183-256.
Friedländer, Max J. Early Netherlandish Painting. 14 vols., Leyden and Brussels, 1967-1977.
Hall, J. Dictionary of Subjects and Symbols in Art. New York, 1974.
Harbison, Craig.The Mirror of the Artist: Northern Renaissance Art in its Historical Context. New York, 1995.
Hollstein, F. Dutch and Flemish Etchings, Engravings, and Woodcuts, c. 1450-1700. Amsterdam, 1949- (25 volumes to date).
Hollstein, F. German Engravings, Etchings, and Woodcuts, c. 1400-1700. Amsterdam, 1954- (22 volumes to date).
Hoogewerff, G.J. De Noord-Nederlandsche Schilderkunst. 5 vols. The Hague, 1937-1947.
Huizinga, Johan. The Waning of the Middle Ages. London, 1924.
Koerner, Joseph Leo. The Moment of Self-Portraiture in German Renaissance Art. Chicago and London, 1996.
Lane, Barbara. Flemish Painting Outside Bruges, 1400-1500: An Annotated Bibliography. Boston, 1986.
Mander, Karel van. Het Schilderboek. Haarlem, 1604 (trans. Constant van de Wall, New York, 1969).
Marrow, James. Passion Iconography in Northern European Art of the Late Middle Ages and Early Renaissance. Kortrijk, 1979.
Mundy, E. James. Painting in Bruges, 1470-1550, An Annotated Bibliography. Boston, 1985.
Moxey, Keith. Peasants, Warriors, and Wives: Popular Imagery in the Reformation. Chicago, 1989.
Nationaal Biografisch Woordenboek. Brussels.
Osten, Gert von der, and Vey, Horst. Painting and Sculpture in Germany and the Netherlands, 1400-1500. Baltimore, 1969.
Parshall, Linda and Peter. Art and the Reformation: An Annotated Bibliography. Boston, 1986
Panofsky, Erwin. Early Netherlandish Painting. Cambridge, 1953.
Post, C.R. A History of Spanish Painting. 12 vols., Cambridge (Mass.), 1930-1958.
Les Primitifs flamands et leur temps (Wesmael: La Renaissance du Livre), 1994.
Réau, L. Iconographie de l'Art Chretien. 3 vols. Paris, 1955-1959.
Schiller, Gertrud. Ikonographie der Christliche Kunst. 4 vols., Gütersloh, 1966-1980. Partially translated into English.
Schmitt, Otto. Reallexikon zur deutschen Kunstgeschichte. Stuttgart, 1937- .
Silver, Larry, "The State of Research in Northern European Art of the Renaissance Era." Art Bulletin 68 no. 4 (Dec. 1986): 518-35.
Smith, Jeffrey Chipps. Nuremberg: A Renaissance City: 1500-1618. Austin, 1983.
Smith, Jeffrey Chipps, ed. New Perspectives on the Art of Renaissance Nuremberg. Five Essays. Austin, 1985.
Smith, Jeffrey Chipps. The Northern Renaissance (Art and Ideas). New York, 2004.
Silver, Larry. "The State of Research in Northern European Art of the Renaissance Era," Art Bulletin 68 no. 4 (1986):518-35.
Stange, Alfred. Deutsche Malerei der Spätgotik. 10 vols., Munich, 1961.
Stechow, Wolfgang. Northern Renaissance Art 1400-1600. (Sources & Documents). Englewood Cliffs, 1966.
Snyder, James. Northern Renaissance Art, New York, 1985.
Van Hall, H. Repertorium voor de Geschiedenis der nederlandsche Schilder- en Graveerkunst. The Hague, 1936-1949.
Wilson, J. C. Painting in Bruges at the Close of the Middle Ages: Studies in Society and Visual Culture. University Park, PA, 1998.
Wisch, Barbara & Susan Scott Munshower, Art and Pageantry in the Renaissance and Baroque, part 1, Triumphs Celebrations and the Rituals of Statecraft (Jeff Smith, Larry Silver on Philip the Good & Maximilian)
Wolfthal, D. The Beginnings of Early Netherlandish Canvas Paintings 1400-1530. Cambridge, 1989.
Zerner, Henri. Renaissance Art in France: The Invention of Classicism. Paris, 2003.
ADDITIONAL RECOMMENDED READINGS
(materials, techniques, guilds, workshops)
Asperen de Boer, J.R.J. van. "An introduction to the scientific examination of paintings." Nederlands Kunsthistorisch Jaarboek 1975, vol. 26: 1-40. This volume is solely dedicated to the scientific examination of early Netherlandish paintings.
Ayres, James. The Artist's Craft, A History of Tools, Techniques, and Materials. Oxford, 1985.
Campbell, Lorne. "The Art Market in the Southern Netherlands in the Fifteenth Century." Burlington Magazine 118 (1976): 188-198.
Campbell, Lorne. "The Early Netherlandish Painters and their Workshops." Université Catholique de Louvain, Institute Superior d'Archéologie et d'Histoire de l'Art, Doc. de Travail no. 11: Le Dessin Sous-Jacent dans la Peinture, Colloque III 6-7-8 Septembre 1979: Le Problème Maî1tre de Flémalle-van der Weyden. Louvain-la-Neuve, 1981, pp. 43-61.
Coremans, Paul. L'Agneau mystique au laboratoire, examamen et traitment. (Les Primitifs Flamands III. Contributions a l'étude des primitifs Flamands 2). Antwerp, 1953.
Faries, Molly. "Underdrawing in the workshop production of Jan van Scorel-A study with infrared reflectography." Nederlands Kunsthistorisch Jaarboek (1975): 89-228.
Goddard, Stephen H. "Brocade Patterns in the Shop of the Master of Frankfurt: An Accessory to Stylistic Analysis." The Art Bulletin 67, no. 3 (Sept., 1985): 401-417.
Huth, Hans. Künstler und Werkstatt der Spätgotik. Augsburg, 1923.
Marijnissen, Roger. Paintings, Genuine Fraud Fake, modern methods of examining paintings. Brussels, 1985.
Montias, J.M. "Socio-Economic Aspects of Netherlandish Art fromteh Fifteenth to the Seventeenth Century." Art Bulletin72 no. 3 (1990): 358-73.
Périer-D'Ieteren, Catheline. "Dessin au poncif et dessin perforé, leur utilisation dans les anciens Pays-Bas au xve siècle." Bulletin de l'Institute royal du Patrimoine artistique 19 (1982/83): 74-94.
Scheller, R.W. A Survey of Medieval Model Books. Haarlem, 1963.
Scheller, R. Exemplum: Model-book Drawings and the Practice of Artistic Transmission in the Middle Ages (ca. 900-ca. 1470). Amsterdam, 1995.
Vey, Horst. "Sudniederländische Künstler und ihre kölnische Augtraggeber." Koninklijk Museum voor Schone Kunsten Antwerpen Jaarboek (1968): 7-32.
Wilson, Jean C. "The participation of painters in the Bruges 'pandt' market, 1512-1550." Burlington Magazine 125 (1983): 476-479.
Wolfthal, Diane. The Beginnings of Netherlandish Canvas Painting: 1400-1530. Cambridge, 1989.
(Bohemia, International Style)
Bachmann, Erich. Gothic Art in Bohemia. New York, 1977.
Baltimore, Walters Art Gallery. The International Style, The Arts in Europe around 1400. Oct. 23- Dec. 2, 1962.
Cologne, Kunsthalle. Die Parler und der Schöne Stil 1350-1400. 5 vols., 1978.
Cologne, Schnütgen-Museum. Kunst der Gotik aus Böhmen präsentiert von der Nationalgalerie Prag. 1985.
Vienna, Kunsthistorisches Museum. Die Ausstellung Europäische Kunst um 1400. 1962. (there is a French translation without the footnotes).
Avril, François. Manuscript Painting at the Court of France, The Fourteenth Century (1310-1380). New York, 1978.
Meiss, Millard. French Painting in the Time of Jean de Berry, The Limbourgs and Their Contemporaries. 2 vols., New York, 1974.Tyler, William R. Dijon and the Valois Dukes of Burgundy, Norman, 1971.
(Burgundy and the Rhenish-Mosan Crescent)
Brussels, Musées Royaux de'Art et d'Histoire. Rhin-Meuse. Art et Civilisation 800-1400. 1972.
Dijon, Musée de (Palais de Ducs de Bourgogne). La Chartreuse de Champmol foyer d'art au temps des Ducs Valois. 1960.
Dijon, Musée de (Palais des Ducs de Bourgogne). Claux de Werve et la sculpture bourguignonne dans la premier tiers du xve siècle. 1976.
Smith, Jeffrey Chipps. The Artistic Patronage of Philip the Good, Duke of Burgundy (1419-1467). UMI dissertation facsimile, Columbia, 1979.
Swaan, Wim. Art and Architecture of the Late Middle Ages. Chapter 4 "Burgundy." New York, 1977.
Tyler, William R. Dijon and the Valois Dukes of Burgundy. (Centers of Civilization Ser., Vol. 29). Norman, OK, 1979.
Conway, Martin. The Van Eycks and their Followers. London, 1921.
Dhanens, Elizabeth. Hubert and Jan Van Eyck. New York, n.d. (ca. 1990)
Gelfand, Laura D. and Walter S. Gibson. "Surrogate selves: teh Rolin Madonna and the late-medieval devotional portrait." Simiolus 29 (2002): 119-38.
Hall, Edwin, The Arnolfini Betrothal : Medieval Marriage and the Enigma of Van Eyck's Double Portrait. 1994.
Harbison, Craig. Jan van Eyck, The Play of Realism. London, 1991.
Koster, Margaret L. "The Arnolfini Double Portrait: A simple solution." Apollo 150 no. 499 (Sept. 2003): 3-14.
Panofsky, Erwin. Early Netherlandish Painting. Cambridge (Mass.), 1953.
Philip, Lotte Brand. The Ghent Altarpiece and the Art of Jan van Eyck. Princeton, 1971.
Purtle, Carol. The Marian Paintings of Jan van Eyck. Princeton, 1981.
Sandler, Lucy. "The Handclasp in the Arnolfini Wedding: A Manuscript Precedent." The Art Bulletin 66, no. 3 (Sept. 1984): 488-492.
Seidel, Linda. "Jan van Eyck’s Arnolfini Portraitr: Business as usual?" Critical Inquiry (Autumn 1989): 54-86.
Seidel, Linda. Jan Van Eyck's Arnolfini Portrait; Stories of an Icon. 1995.
Weale, W.H. James. Hubert and John van Eyck, Their Life and Work, London, 1908. (gives documents in English translation).
(Robert Campin and Rogier van der Weyden)
Blum, Shirley. Early Netherlandish Triptychs, a study in patronage. Berkeley, 1969.
Botvinick, Matthew, "The Painting as Pilgrimage: Traces of a Subtext in the Work of Campin and His Contemporaries," Art History 15 no. 1 (1992): 1-18.
Brussels, Maison du Roi. Rogier van der Weyden - Rogier de le Pasture. Oct. 6 - Nov. 18, 1979 (also in French and Dutch).
Campbell, Lorne. "Robert Campin, The Master of Flémalle and the Master of Mérode." Burlington Magazine 96 (Nov., 1974): 634-646.
Davies, Martin. Rogier van der Weyden. London, 1972.
Feder, Theodore H. "A Re-examination through Documents of the First Fifty Years of Rogier van der Weyden's Life." The Art Bulletin 48 (1966): 416-431.
Hulin de Loo, Georges. "An Authentic Work by Jacques Daret, Painted in 1434." Burlington Magazine 15 (1909): 202-208.
Lestocquoy, J. "Le role des artistes tournaisiens à Arras au xve siècle: Jacques Daret et Michel de Gand." Revue Belge d'Archéologie et d'Histoire de l'Art 7, no. 3 (1937): 211-228.
Minott, Charles I. "The Theme of the Mérode Altarpiece." The Art Bulletin 51 (1969): 267-271.
Panofsky, Erwin. "Two Rogier Problems: the Donor of the Hague Lamentation and the Date of the Altarpiece of the Seven Sacraments." The Art Bulletin 33 (1951): 33-40.
Richardson, E.P. Rogier van der Weyden's Cambrai Altar." Art Quarterly 2 (1933): 57-66.
Rolland, Paul. "Textes relatifs à Robert Campin." Revue Belge d'Archéologie et d'Histoire de l'Art 2, no. 1 (Jan., 1932): 49-58.
Rolland, Paul. "Une sculpture encore existante polychromée par Robert Campin." Revue Belge d'Archéologie et d'Histoire de l'Art 2, no. 4 (Oct., 1932): 335-345.
Schabacker, Peter H. "Notes on the biography of Robert Campin." Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten 41, no. 2 (1980): 1-14.
Smith, Graham. "The Exterior of the Bladelin Altarpiece and the Master FVB." Oud Holland 85 (1970): 114-116.
Sonkes, Micheline. Dessins du xve siècle: groupe van der Weyden. (Les Primitifs Flamands III). Brussels, 1969.
Vos, Dirk de. "De Madonna-en-Kindtypologie bij Rogier van der Weyden." Jahrbuch der Berliner Museen 13 (1971): 60-161.
Ward, John L. "A Proposed Reconstruction of an Altarpiece by Rogier van der Weyden." The Art Bulletin 53 (1971): 27-35.
(Ouwater, Bouts, Christus, van Wassenhove)
Ainsworth, Maryan W (ed.) Petrus Christus in Renaissance Bruges : an interdisciplinary approach. New York, 1995.
Ainsworth, Maryan W. and Miximilian P.J. Martens. Petrus Christus. Renaissance Master of Bruges. New York, 1994.
Châtelet, A. Early Dutch Painting. Painting in the Northern Netherlands in the Fifteenth Century. New york, 1981.
Ghent, Museum voor Schone Kunsten. Juste de Gand, Berruguete, et la cour d'Urbino. Oct. 12 - Dec. 15, 1957. (also in Dutch).
Leuven, Sint-Pieterskerk. Tentoonstelling Dirk Bouts en zijn tijd. Sept. 12 - Nov. 3, 1975.
Martens, Maximiliaan P.J. "New Information on Petrus Christus’s Biography and the Patronage of his Brussels Lamentation." Simiolus 20 no. 1 (1990-91) 5-23.
Schabacker, Peter H. Petrus Christus. Utrecht, 1974.
Schabacker, Peter H. "Petrus Christus 'Saint Eloy': Problems of Provenance, Sources and Meaning." Art Quarterly 35 (1972): 103-120.
Schöne, Wolfgang. Dieric Bouts und seine Schule. Berlin, 1938.
Snyder, James. "The Early Haarlem School of Painting." The Art Bulletin 47 (1960): 39-55, 113-132; 53(1971): 445-458.
Upton, Joel M. Petrus Christus: His Place in Fifteenth-Century Flemish Painting. University Park and London, 1990.
(for Geertgen, see Châtelet and Snyder from Lecture 7)
Friedländer, Max J. "Die Anbetung der Könige Hugos van der Goes." Jahrbuch der königlich Preussischen Kunstsammlungen 35 (1914): 1-4.
Koch, Robert. "The Salamander in Van der Goes' Garden of Eden." Journal of the Warburg and Courtauld Institutes 28 (1965): 323-326.
Koster, Margaret L. "New documentation for the Portinari altar-piece." Burlington Magazine 145 (2003): 164-79.
Lane, Barbara. "'Ecce Panis Angelorum': The Manger as Altar in Hugo's Berlin Nativity." The Art Bulletin 57 (1975): 476-486.
McNamee, M.B. "The Origin of the Vested Angel as a Eucharistic Symbol in Flemish Painting." The Art Bulletin 54 (1972): 263-278.
McNamee, M.B. "Further Symbolism in the Portinari Altarpiece." The Art Bulletin 45 (1963): 142-143.
Thompson, Colin, and Campbell, Lorne. Hugo van der Goes and the Trinity Panels in Edinburgh. Edinburgh, 1974.
Winkler, Friedrich. Das Werk des Hugo van der Goes. Berlin, 1964.
Ainsworth, Maryan. "Gerard David’s drawings for the Justice of Cambyses once again," Burlington Magazine 130 (July 1988): 528-30.
Ainsworth, Maryan Wynn. Gerard David; Purity of Vision in an Age of Transition. 1998
Arndt, Karl. "Gerard Davids 'Anbetung der Könige' nach Hugo van der Goes. Ein Beitrag zur Kopienkritik." Münchner Jahrbuch der bildenden Kunst, ser. 3, vol. 12 (1961): 153-175.
Bodenhausen, E. von. Gerard David und seine Schule. Munich, 1905.
de Vos, Dirk (ed.), Hans Memling, Essays. Bruges, 1994.
Hulin de Loo, Georges. "Hans Memling in Rogier van der Weyden's Studio." Burlington Magazine 52 (1928): 160-177.
Hull, Vida Joyce. Hans Memling's paintings for the Hospital of Saint John in Bruges.New York, 1981.
McFarlane, Kenneth B. Hans Memling. Oxford, 1971.
Marlier, Georges. Ambrosius Benson et la Peinture à Bruges au Temps de Charles-Quint. Damme, 1957.
Mundy, James. Painting in Bruges, 1470-1550: an Annotated Bibliography. Boston, 1985
Miegroet, Hans J. van. Gerard David. Antwerp, 1989.
Parmentier, R.A. "Bronnen voor de geschiedenis van het Brugsche schildersmilieu in de xvi eeuw. (Vervolg), xxi. Gerard David." Belgisch tijdschrift voor Oudheidkunde en Kunstgeschiedenis 12 (1942): 5-19.
Bax, Dirk. Hieronymus Bosch: his Picture-writing deciphered. Rotterdam, 1979.
Cuttler, Charles D. "The Lisbon Temptation of St. Anthony." The Art Bulletin 39 (1957): 109-126.
Cuttler, Charles D. "Witchcraft in a work by Bosch." Art Quarterly 20 (1957): 129-140.
Cuttler, Charles D. "Bosch and the Narrenschiff." The Art Bulletin 51 (1969): 272-276.
Gibson, Walter S. Hieronymus Bosch. London, 1973.
Gibson, Walter S. Hieronymus Bosch: An Annotated Bibliography. Boston, 1983.
Harris, Lynda. The Secret Heresy of Hieronymous Bosch, 1995.
Marijnissen, Roger H., et.al. Jerome Bosch, Brussels, 1972.
Silver, Larry. "God in the Details: Bosch and Judgment(s)." Art Bulletin 83 no. 4 (December 2001): 626-50.
Snyder, James. Bosch in Perspective. Englewod Cliffs, 1973.
Steppe, J.K. "Jheronimus Bosch. Bijdragen tot de historische en de ikonografische studie van zijn werk." In: Bijdragen bij gelegenheid van de herdenkingstentoonstelling te 's-Hertogenbosch, 1967. 's-Hertogenbosch, 1967.
Vandenbroeck, Paul. Jheronimus Bosch: tussen volksleven en stadscultuur. Berchem (EPO), 1987.
(Rhenish art, Lochner, Moser, Multscher, Witz)
Cologne, Wallraf-Richartz Museum. Vor Stefan Lochner. 1974.
Hamburger, J. The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany. New York , 1998.
London, National Gallery. Late Gothic Art from Cologne. Apr. 5-June 1, 1977.
(Influence of The Netherlands on Germany)
Baudouin, Frans. "Der Meister des Bartholomäusaltares und die Südniederländische Malerei des 15 Jahrhunderts. Wallraf-Richartz Jahrbuch 23 (1961): 353-358.
Budde, Rainer, and Roland Krischel, eds. Genie ohne Namen. Der Meister des Bartholomäus-Altars. Cologne, 2001.
Cologne, Kunsthalle. Herbst des Mittelalters. Spätgotik in Köln und am Niederrhein. June 20 - Sept. 27, 1970.
Gorrisen, Friedrich. "Meister Matheus und die Flügel des Kalkarer Hochalters, ein Schlüsselproblem der Niederrheinischen Malerei." Wallraf-Richartz Jahrbuch 35 (1973): 149-206.
Schneider, Hans. Beiträge zur Geschichte des niederländischen Einflusses auf die deutschen Malerei und Graphik um 1460-1480. Basel, 1915.
(French Painting, Marmion, Fouquet, Master of Moulins)
Mâle, Emile. L'Art religieux de la fin du moyen âge en France. Paris, 1925.
Ring, Grete. A Century of Franch Painting, 1400-1500. London, 1949.
Sterling, Charles. La Peinture francaise: Les peintres du moyen âge. Paris, 1901.
Amsterdam, Rijksmuseum. Livelier than Life, The Master of the Amsterdam Cabinet, or The Housebook Master, ca. 1475-1500. 1985.
Andersson, C. and Talbot, C. From a Mighty Fortress: Prints, Drawings, and Books in the Age of Luther 1483-1546. Detroit, 1983.
Bartrum, Giulia. German Renaissance Prints 1490-1550. London, 1995.
Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art. Washington, D.C., 1965.
Hutchinson, Jane C. The Master of the Housebook. New York, 1972.
Landau, David, and Peter Parshall. The Renaissance Print: 1470-1550. New Haven, 1994.
Mayor, A. Hyatt. Prints and People, a Social History of Printed Pictures. New York, 1971.
Moxey, K. Peasants, Warriors, and Wives: Popular Imagery in the Reformation. Chicago and London, 1989.
Rowlands, J. The Age of Dürer and Holbein: German Drawings, 1400-1500. Cambridge, 1988.
Russell, H. D. Eva/Ave: Woman in Renaissance and Baroque Prints. Washington, 1990.
Schretlin, M.J. Dutch and Flemish Woodcuts of the Fifteenth Century. New York, 1969.
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art. Washington, D.C., 1967.
Shestack, Alan. Master E.S. Hundredth Anniversary Exhibition. Philadelphia Museum of Art, 1972.
Washington, D.C., National Gallery of Art. The Age of Bruegel: Netherlandish Drawings in the Sixteenth Century. Washington, D.C., 1986.
Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. New Haven, 1980.
Borchgrave d'Altena, J. de. Les Retables Brabancons conservés en suède. Brussels, 1948.
Borchgrave d'Altena, J. de. "Notes pour servir à l'étude des retables anversois." Bulletin des Musèes Royaux d'Art et d'Histoire 29, 30 (1957, 1958).
Chapius, Julien. Tilman Riemenschneider, Master Sculptor of the Late Middle Ages. Washington, D.C. and New York, 1999.
Jacobs, Lynn F. Early Netherlandish Carved Altarpieces, 1380-1550 : Medieval Tastes and Mass Marketing. Cambridge, 1998.
Randall, Richard H. "A Flemish Altar Made for France." Journal of the Walters Art Gallery 33-34 (1970/71): 9-33.
Schindler, Herbert. Der Schnitzaltar. Regensburg, 1978.
Smith, J. C. German Sculpture of the Later Renaissance, c. 1520-1580: Art in an Age of Uncertainty. Princeton, 1994.
Taubert, Johannes. Farbige Skulpturen: Bedeutung, Fassung, Restaurierung. Munich, 1978.
Verhaegen, Nicole. "'The Arenberg Lamentation' in the Detroit Institute of Arts." Art Quarterly 25 (1962): 295-312.
Anzelewsky, Fedja. Albrecht Dürer. London, 1982.
Bartrum, Giulia. Albrecht Dürer and his Legacy. The Graphic Work of a Renaissance Artist. London, 2002.
Boorsch, Suzanne and Nadine M. Orenstein. "The Print in the North: The Age of Albrecht Durer and Lucas van Leyden." The Metropolitan Museum of Art Bulletin 55 (1997): 3-12.
Boston Museum of Fine Arts, Albrecht Dürer: Master Printmaker. Boston, 1971.
Buchanan, Ian. "Dürer and Abraham Ortelius." Burlington Magazine 124 (1982): 734-41.
Dackerman, Susan, William Noel and Abigail Cuthbertson. Book Arts in the Age of Dürer. Baltimore, 2001.
Eichberger, Dagmar and Charles Zika. Dürer and his Culture. (Cambridge (U.K.) and New York, 1998.
Goris, J.A., and Marlier, G. Le journal de voyage de Albert Dürer dans les anciens Pays-Bas. Brussels, 1970.
Grigg, Robert. "Studies on Dürer’s Diary of his Journey to the Netherlands: The Distribution of the Melencolia I." Zeitschrift für Kunstgeschichte 49 no. 3 (1986): 398-409.
Heckscher, William S. "Melancholia (1541). An Essay in the Rhetoric of Description by Joachim Camerarius." In: Frank Baron, ed., Joachim Camerarius (1500-1574) Beiträge zur Geschichte des Humanismus im Zeitalter der Reformation / Essays on the History of Humanism During the Reformation. Humanistische Bibliothek, Abhandlungen 24 (Munich, 1978): 32-103
Hutchison, Jane Campbell. Albrecht Dürer, a Biography. Princeton, 1990.
Hutchison, Jane Campbell (mistakenly published as Hutchinson). Albrecht Durer: A Guide to Research. New York, 2000.
Kantor, Jordan. Dürer’s Passions. Cambridge, Mass., 2000.
Mende, Matthias. Dürer-Bibliographie. Wiesbaden, 1971.
Moxey, Keith. "Panofsky’s Melancolia." In his The Practice of Theory, Poststructuralism, Cultural Politics, and Art History. Ithaca and London, 1994. Chapter 4, pp. 65-78.
Moxey, Keith. "Impossible Distance: Past and Present in the Study of Dürer and Grünewald." Art Bulletin 86 no. 4 (December 204): 750-63.
Panofsky, Erwin. The Life and Art of Albrecht Dürer. (Princeton, 1954.
Parshall, Peter. "Camerarius on Dürer. Humanist Biography as Art Criticism." In: Frank Baron, ed., Joachim Camerarius (1500-1574) Beiträge zur Geschichte des Humanismus im Zeitalter der Reformation / Essays on the History of Humanism During the Reformation. Humanistische Bibliothek, Abhandlungen 24 (Munich, 1978): 11-29.
Parshall, Peter. "Albrecht Dürer and the Axis of Meaning." Allen Memorial Art Museum Oberlin College Bulletin 50 no. 2 (1997): 5-32.
Rupprich, Hans. Dürer Schriftlicher Nachlass. 3 vols. Berlin, 1956.
Sohm, Philip L. "Dürer’s Melencolia I: The Limits of Knowledge." Studies in the History of Art 9 (1981): 13-31.
Stechow, Wolfgang. "State of Research: Recent Dürer Studies." Art Bulletin 56 (1974): 259-70.
Strauss, Walter L. The Complete Drawings of Albrecht Dürer, 6 vols. New York, 1974; suppl,. New York, 1977; suppl. 2, New York, 1982.
Strauss, Walter L. Albrecht Dürer: Intaglio Prints, Engravings, Etchings and Drypoints. (New York, 1975.
Strauss, Walter L., ed.: Albrecht Dürer: Woodcuts and Woodblocks. New York, 1980.
Winzinger, Franz. "Dürer und Leonardo." Pantheon 29 (Jan., 1971): 3-21.
Behling, Lottlisa. Mathis Gothart oder Nithart (Matthaeus Grünewald). Königstein im Taunus, 1980.
Hayum, Andrée. "The Meaning and Function of the Isenheim Altarpiece: the Hospital Context." The Art Bulletin 59, no. 4 (Dec., 1977): 501-518.
Hayum, Andrée. The Isenheim ALtarpiece. God's Medicine and teh Painter's Vision. Princeton, 1989.
Mellinkoff, Ruth. The Devil at Isenheim. Reflections of Popular Belief In Grünewald's Altarpiece. Berkeley and Los Angeles, 1988.
Moxey, Keith. "Impossible Distance: Past and Present in the Study of Dürer and Grünewald." Art Bulletin 86 no. 4 (December 204): 750-63.
(The Danube School, Altdorfer, Baldung Grien)
Janzen, Reinhild. Albrecht Altdorfer: Four Centuries of Criticism. Ann Arbor, 1980.
Krichbaum, Jörg. Albrecht Altdorfer, Meister der Alexanderslacht. Cologne, 1978.
Linz, Stift St. Florian und Schlossmuseum. Die Kunst der Donauschule 1490-1540. May 14-Oct. 17, 1965.
New Haven, Yale University Art Gallery. Prints and Drawings of the Danube School. Oct. 9 - Nov. 16, 1969. (Talbot & Shestack).
Silver, Lawrence. "Forest Primeval: Albrecht Altdorfer and the German Wilderness Landscape." Simiolus 13, no. 1 (1983): 4-43.
Washington D.C., National Gallery of Art, and New Haven, Yale University Art Gallery. Hans Baldung Grien Prints and Drawings. 1981. (Marrow & Shestack).
Winzinger, Franz. Albrecht Altdorfer: Zeichnungen. Munich, 196?.
Winzinger, Franz. Albrecht Altdorfer: Graphik. Munich, 1963.
Winzinger, Franz. Albrecht Altdorfer: Die Gemälde. Munich, 1975.
Wood, Christopher. Albrecht Altdorfer and the Origins of Landscape. Chicago, 1993.
Basel, Kunstmuseum. Lukas Cranach. 2 vols., 1974-76. (Koepplin & Falk).
Fleming, Gerard. "On the Origin of the Passional Christi et Antichristi and Lucas Cranach the Elder's Contribution to Reformation Polemics in the Iconography of the Passional." Gutenberg Jahrbuch (1973): 351-367.
Friedländer, Max, and Rosenberg, Jacob. The Paintings of Lucas Cranach. Ithaca, 1982.
Belkin, Kristin Lohse, and Carl Depauw. Images of Death. Rubens copies Holbein. Antwerp, 2000.
Ganz, Paul. The Paintings of Hans Holbein. New York, 1950.
Kenaan, Hagi. "The 'Unusual Character' of Holbein's Ambassadors." Artibus et Historiae 23 no. 46 (2002): 61-75.
Markow, Deborah. "Hans Holbein's Steelyard Portraits Reconsidered." Walraff-Richartz Jahrbuch 40 (1978): 39-47.
Schmid, Heinrich. Hans Holbein der Jungere. 3 vols., Basel, 1945-48.
Strong, Roy. Holbein and Henry VIII. London, 1967.
Strong, Roy. The Renaissance Portrait Miniature. London, 1984.
(Antwerp: Master of Frankfurt, Metsys, Patinir, van Cleve)
Bosque, Andrée de. Quentin Metsys. Brussels, 1975.
Branden, F.J. Geschiedenis der Antwerpsche Schilderschool. Antwerp, 1883.
Goddard, Stephen H. The Master of Frankfurt and his Shop. Brussels, 1986.
Ewing, Dan. The Paintings and Drawings of Jan de Beer. (2 vols., Ph.D. dissertation, University of Michigan, 1978).
Hand, John Oliver. Joos van Cleve: The Early and Mature Paintings. (Ph.D. dissertation, Princeton, 1978).
Hulin de Loo, Georges. "Ein authentisches Werk von Goosen van der Weyden, Die gleichzeitigen Gemälde aus Tongerloo und Lier und die Ursprünge der Antwerpener Schule um 1500." Jahrbuch der koniglich preussischen Kunstsammlungen 34 (1913): 59-88.
Koch, Robert. Joachim Patinir. Princeton, 1968.
Marlier, Georges. "Joos van Cleve, Fontainebleau, and Italy." Connoisseur 165 (May, 1967): 24-27.
Marlier, Georges. Erasme et la Peinture Flamande de son Temps. Damme, 1954.
Murray, John J. Antwerp in the Age of Plantin and Brueghel, Norman, 1970.
Rombouts, Ph., and Lerius, Th. van. De Liggeren en andere Historische Archieven der Antwerpse Sint Lucasgilde onder zinspreuk "wt Ionsten Versaemt." 2 vols., Antwerp & The hague, 1864-1876.
Rooses, Max. Geschiedenis der Antwerpsche Schilderschool. Antwerp, 1879.
Silver, Lawrence. "The Ill-Matched Pair by Quentin Massys." Studies in the History of Art (1974): 104-123.
Silver, Lawrence. "Power and Pelf: a new-found old man by Massys." Simiolus 9 no. 2 (1977): 63-92.
Van der Stock, Jan (ed.). Antwerp story of a metroplis. Antwerp, 1993.
Voet, Leon. Antwerp, the Golden Age. Antwerp, 1973.
(see Marlier, Erasme, Lecture 21)
Bruges, Groeningemuseum. Jan Gossaert genaamd Mabuse. July 10-Oct. 20, 1965.
De Coo, Jozef. "Twee Orley-retables." Koninklijk Museum voor Schone Kunsten Antwerpen Jaarboek (1979): 67-104.
Gibson, Walter S. "Jan Gossaert de Mabuse: Madonna and Child in a Landscape." Bulletin of the Cleveland Museum of Art. 61 (Nov., 1974): 296- .
Gluck, Gustav. "Mabuse and the Development of the Flemish Renaissance." Art Quarterly 8 (1945): 116-138.
Osten, Gert von der. "Studien zu Jan Gossart." Essays in Honor of Erwin Panofsky, vol. 1, 1961, pp. 454-475.
Sociéteé Royale d'Archéologie de Belgique. Bernard van Orley 1488-1541. Brussels, 1963.
Wauters, A.J. "Une Ambassade Flammande." Revue de Belgique (Brussels), 1904.
(Coecke, Lombard, Bles, Aertsen, Hemessen)
Buchan, Mary Braman. The Paintings of Pieter Aertsen. (2 vols., Ph.D. dissertation, New York University, 1975).
Houghton, Charlotte. "This Was Tomorrow: Pieter Aertsen's Meat Stall as Contemporary Art." Art Bulletin 86 no. 2 (June 2004): 277- 300.
Hubaux, J., and Puraye, J.D. "Lampson. Lamberti Lombardi ... Vita. Traduction et notes." Revue Belge d'Archéologie et d'Histoire de l'Art 18 (1949): 53-77.
Kemp, E.W. "Lambert Lombard, antiquarische theorie und praxis." Zeitschrift für Kunstwissenschaft 36 (1973): 122-152.
Marlier, Georges. La renaissance Flamande, Pierre Coecke d'Alost. Brussels, 1966.
Moxey, Keith. "The 'Humanist' Market Scenes of Joachim Beuckelaer. Moralizing Exempla, or 'Slices of Life.'" Koninklijk Museum voor Schone Kunsten Antwerpen Jaarboek. (1978): 109-187.
(Northern Netherlands: Van Oostsanen, Virgo Master, Mostaert)
(see Châtelet, lecture 7)
Amsterdam, Rijksmuseum. Middeleeuwse Kunst der Noordelijke Nederlanden. June 28-Sept. 28, 1958.
Bangs, Jeremy. Cornelis Engelbrechtsz. Leiden Assen, 1979.
Bangs, Jeremy. "The Masters of Alkmaar and Hand X. The Haarlem Painters of the van Waterlant Family." Wallraf-Richartz-Jahrbuch 60 (1999): 65-162.
Harbison, Craig. "Lucas van Leyden, the Madgalen, and the Problem of Secularization in Early 16th Century Northern Art." Oud Holland 98, no. 3 (1984): 117-129.
Lucas van Leyden Studies. In: Nederlands Kunsthistorisch Jaarboek 29 (1978).
Silver, Larry. "Fools and Women: Profane Subjects by Lucas van Leyden." Print Collectors Newsletter 14, no. 4(Sept./Oct. 1982:
Silver, Lawrence, and Smith, Susan. "Carnal Knowledge: The Late Engravings of Lucas van Leyden." Oud Holland 98, no. 3 (1984): 239-298.
Vos, Rik. Lucas van Leyden. Maarsen, 1978.
Washington D.C., National Gallery of Art. The Prints of Lucas van Leyden and his Contemporaries. 1983. (Jacobowitz & Stepanek).
Faries, Molly. "Underdrawing in the workshop production of Jan van Scorel-A study with infrared reflectography." Nederlands Kunsthistorisch Jaarboek (1975): 89-228.
Grosshans, Rainald. Maarten van Heemskerck: Die Gemälde. Berlin, 1980.
Utrecht, Musée Central. Jan van Scorel d'Utrecht. 1977.
Veldman, Ilja. Marten van Heemskerck and Dutch Humanism in the Sixteenth Century. New York, 1977.
Veldman, Ilja. Seasons, Planets, and Temperaments in the Work of Marten van Heemskerck. Cosmo-astrological Allegory in 16th-Century Netherlandish Prints." Simiolus 11, nos. 3-4 (1980): 149-176.
Alpers, Svetlana, "Bruegel’s Festive Peasants," Simiolus 6 (1972/73).
Berlin, Staatliche Museen Preussischer Kulturbesitz (Kupferstichkabinett).
Pieter Bruegel d.A. als Zeichner, Herkunft und Nachfolge. Sept. 19 Nov. 16, 1975.
Brussels, Bibliothèque Royale Albert 1er. Catalogue raisonné des estampes de Bruegel l'ancien. 1969 (Louis Lebeer, also in Dutch).
Brussels, Musées royaux des Beaux-Arts. Bruegel. 1969
Carroll, Margaret D. "Peasant Festivity and Political Identity in the Sixteenth Century," Art History (September 1987).
Gibson, Walter S. Pieter Bruegel. New York, 1975.
Gibson, Walter S. "Artists and Rederijkers in the Age of Bruegel." The Art Bulletin 63, no. 3 (Sept., 1981): 426-447.
Gibson, Walter S. Pieter Bruegel the Elder: Two Studies. Universityof Kansas, 1991.
Grossmann, Fritz. Pieter Bruegel, The Paintings. London, 1973.
Marijnissen, Roger. "Bosch and Bruegel on human folly." In: Folie et déraison à la Renaissance. (colloquium, Université Libre de Bruxelles), Brussels, 1976.
Marijnissen, Roger, and Seidel, Max. Bruegel. New York, 1984.
Moxey, Keith. "Pieter Bruegel and the Feast of Fools." The Art Bulletin 64 no. 4 (Dec., 1982): 640-646.
Orenstein, Nadine M. et al. Pieter Bruegel the Elder. Prints and Drawings. New Haven and London, 2001.
Popham, A.E. "Pieter Bruegel and Abraham Ortelius." Burlington Magazine. 59 (Oct., 1931): 184-188.
Rothstein, Bret. "The Problem with Looking at Pieter Bruegel's Elck." Art History 26 no. 2 (April 2003): 143-73.
Stridbeck, C.G. "The Combat Between Carnival and Lent: an Allegorical Reading." Journal of the Warburg and Courtauld Institutes. (Jan., 1956): 96-109.
Sullivan, Margaret. "Madness and Folly in Pieter Bruegel's Dulle Griet." The Art Bulletin (March, 1977): 55-66.
Sullivan, Margaret, "Bruegel’s Proverbs: Art and Audience in Northern Renaissance Art," Art Bulletin 73 (1991).
Sullivan, Margaret. Bruegel's Peasants, Art and Audience in the Northern Renaissance, Cambridge 1994
Sullivan, Margaret. "Proverbs adn process in Bruegel's 'Rabbit hunt.'" Burlington Magazine 145 (2003) 30-35.
Blunt, Anthony. Art and Architecture in France 1550-1700.
Paris, Grand Palais. L'Ecole de Fontainebleau. 1972-1973
Zerner, Henri. The School of Fontainebleau: Etchings and Engravings. New York, 1969.