Section 1: Two Case Studies: Dürer & Rembrandt
Section 2: Techniques
Section 3: Paper & Ink
Section 4: Watermarks
Section 5: Conservation
Section 6: Market and Collectors
Section 7: Collection Histories
Section 8: Printmaking Organizations
Section 9: Printers and Publishers
Section 10: Digital Printing
Section 11: Originality and Authenticity
Section 12: Print Appreciations
Section 13: Reference: Major Multi-artist Catalogues

1) Case Studies: Dürer, Raimondi & Rembrandt

Biorklund, George. Rembrandt's Etchings, True and False, Stockholm and New York, 1968 (the 1955 edition does not include the essays by Osbert H. Barnard and George Biorklund), pp. 161-200.
Carroll, Margaret Deutsch. "Rembrandt as a Meditational Printmaker." The Art Bulletin 43 no. 4 (Dec. 1981): 585-610.
Dean, Clay, Theresa Fairbanks, and Lisa Pon. Changing Impressions: Marcantonio Raimondi & Sixteenth-Century Print Connoisseurship. New Haven, 1999.
Field, Richard S. Albrecht Dürer 1471-1528: A Study Exhibition of Print Connoisseurship. Philadelphia Museum of Art, 1970-1971.
Hinterding, Erik. The history of Rembrandt's copperplates. Zwolle, 1995. Previously published in Simiolus 22 no. 4 (1993-94).
Ivins, William S. Jr. "Notes on Three Dürer Woodblocks." Metroppolitan Museum Studies II (1929-30): 102-111.
Meder, Joseph. Dürer-Katalog. Vienna, 1932.
Stogdon, Nicholas. "Captain Baillie and The Hundred Guilder Print." Print Quarterly 13 (1996), 52-57.
von Bartsch, Adam. Le peintre graveur. 21 vols., Vienna, 1803-1821.

2)Techniques

Acton, David. A Spectrum of Innovation: Color in American Printmaking, 1890-1960. Worcester Art Museum, 1990.
Adams, Clinton, American Lithographers 1900-1960, Albuquerque, 1983.
Antreasian, Garo, & Adams, Clinton. The Tamarind Book of Lithography. Art & Techniques. New York, 1971.
Bann, Stephen, "Photography by Other Means? The Engravings of Ferdinand Gaillard." The Art Bulletin 88 no. 1 (March 2006): 119-38.
Bialler, Nancy, Chiaroscuro Woodcuts. Hendrik Goltzius (1558-1617) and his Time, Amsterdam, Rijksmuseum, 1992.
Biegeleisen, J.I. Screen Printing. New York, 1971.
Bowman, Cynthia L. "Pasteprints: A New Hypothesis About their Production." Print Quarterly II, no. 1, March, 1985, pp. 4-11.
Brunner, Felix. A Handbook of Graphic Reproduction Processes. Teufen, 1968.
Chamberlain, Walter. Woodcut Printmaking. London, 1978.
Chamberlain, Walter. Wood Engraving. London, 1978.
Chatto, William Andrew, & John Jackson. A Treatise on Wood Engravings, Historical and Practical. New York, 1861 (1st ed. London, 1838).
Coombs, Elizabeth, Eugene Farrell, and Richard S. Field. Pasteprints, A Technical and Art Historical Investigation, Cambridge (MA), 1986.
Dyson, Anthony. "Images Interpretted: Landseer and the Engraving Trade." Print Quarterly I, no. 1, March, no. 1984, pp. 29-42.
Dyson, Anthony. Pictures to Print. The Nineteenth Century Engraving Trade. London, 1984.
Emanuel, Frank. "Some Sidelights on Early Lithography." Print Collector's Quarterly 21, pp. 337-352.
Gascoigne, Bamber. How to Identify Prints. A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink Jet, New York (Thames & Hudson), 1986.
Gilmour, Pat, ed. Lasting Impressions: Lithography as Art, Philadelphia, 1988.
Glassman, Elizabeth, & Marilyn Symmes. Cliche-Verre. Hand Drawn, Light Printed. A Survey of the Medium from 1839 to the Present. Exhibition, Detroit Institute of the Arts, 1980.
Griffiths, Antony. "The Printmaking Techniques of the Members of the Brücke." In: Carey, Frances and Antony Griffiths, The Print in Germany 1880-1933 The Age of Expressionism. New York, 1984. 29-39.
Gould, Lynn M. Drawings on Stone: Early European Lithography. Washington, D.C., National Gallery of Art, 1988.
Hayter, S.W. New Ways of Gravure. Oxford, 1966.
Ives, Colta, et. al. The Painterly Print Monotypes from the Seventeenth to the Twentieth Century. New York, Metropolitan Museum of Art, 1980.
Kruml, Richard. "The Techniques of Japanese Printmaking" in Amy Newland, ed.Ukiyo-e to Shin hanga: The Art of Japanese Woodblock Prints, New York, 1990.
Lalanne, Maxime. The Technique of Etching. (trans. Jay Fisher). New York, 1981.
Lambert, Susan. Printmaking. London, 1983.
Lumsden, E.S. The Art of Etching. London, 1925.
Man, Felix H. "Lithography in England (1801-1810). In: Prints, ed. Carl Zigrosser, New York, 1962, pp. 97-130.
Marzio, Peter. The Democratic Art. Pictures for a 19th Century America. Chromolithography 1840-1900. Boston, 1979.
Meier, Henry. "The Origin of the Printing and Rolling Press." Print Collector's Quarterly 28 (1941), pp. 9-55, 165-203, 339-374, 497-527.
Nadeau, Luis. Encyclopedia of Printing, Photographic, and Photomechanical Processes. Fredericton, N.B., Canada: Atelier Luis Nadeau, 1989-90.
Newton, Charles. Photography in Printmaking. London, Victoria & Albert Museum, 1979.
Parshall, Peter, Stacey Sell and Judith Brodie. The Unfinished Print. Washington : National Gallery of Art, 2001.
Prelinger, Elizabeth. "Pierre R.che and the 'belle gypsographie.'" Print Quarterly X no. 2 (June 1993): 138-55.
Russel, Charles E. "Some Problems of the Early History of Mezzotinting." Print Collector's Quarterly 16 (1929), pp. 56-75.
Senefelder, Alois. A complete course of lithography. New York, 1968. (reprint of 1819 English ed.)
Sperling, Louise, & Richard Field. Offset Lithography. Davison Art Center, Wesleyan University, 1973.
Strauss, Walter. Chiaroscuro. New York, 1973.
Tinios, Ellis. "How to draw actor portraits," Andon 8 no. 32 (1988): 168-74.
Walker, Samuel and Larry J. Feinberg. Acid and Light. Contemporary Photo-Etchings, The Allen Memorial Art Museum, Oberlin College, 1987-88.
Wax, Carol. The Mezzotint: History and Technique. London, 1990. (review Print Quarterly June 1991).
Williams, Reba and Dave. The Early History of the Screenprint," Print Quarterly 3 no. 4 (December 1986): 286-321.

3) Paper & Ink

Boston Museum of Fine Arts. Rembrandt, Experimental Etcher. 1969. Section on paper.
Fairbanks, Theresa. "The Mystery and Mystique of Printing on Parchment." In: Clay Dean, et. al., Changing Impressions: Marcantonio Raimondi & Sixteenth-Century Print Connoisseurship. New Haven, Yale University Art Gallery, 1999. 44-59.
Hunter, Dard. Papermaking. New York, 1978.
Lunning, Elizabeth and Roy Perkinson. The Print Council of America Paper Sample Book. A Practical Guide to the Description of Paper. Boston, 1996.
Lunning, Elizabeth. "Characteristics of Italian Paper in the Seventeenth Century." In: Reed, Sue Welsh, and Richard Wallace. Italian Etchers of the Renaissance and Baroque, Boston Museum of Fine Art, 1989. xxxii-xliii.
Manick, Annette. "A Note on Printing Inks." In: Reed, Sue Welsh, and Richard Wallace. Italian Etchers of the Renaissance and Baroque, Boston Museum of Fine Art, 1989. xliv-xlvii.
Robison, Andrew. Paper in Prints. Washington, National Gallery of Art, 1977.

4)Watermarks

Ash, Nancy, and Shelley Fletcher. "Watermarks in Rembrandt's Landscape Etchings." In :Cynthia Schneider. Rembrandt's Landscapes, Drawings and Prints, Washington, D.C., National Gallery of Art, 1990, 263-81.
Ash, Nancy, Shelley Fletcher and J.P. Filedt Kok. Watermarks in Rembrandt’s prints. Washington : National Gallery of Art, c1998.
Boorsch, Suzanne and Michal and R.E. Lewis. The Engravings of Giorgio Ghisi. New York, 1985. "Watermarks," pp. 213-224.
Briquet, Charles Moise. Les filigranes. Dictionnaire historiques des marques du papier des leur apparition vers 1282 jusqu'en 1600... 4 vols., Leipzig, 1923.
Churchill, William Algernon. Watermarks in Paper in Holland, England, France etc., in the XVII and XVIII centuries and their interconnection. Amsterdam, 1935.
Griffiths, Antony, and Craig Hartley. "Watermarks in the Paper of Bellange Etchings" in: Jacques Bellange c. 1575-1616. Printmaker of Lorraine. London, The British Museum Press, 1997, pp. 125-35.
Heawood, Edward. Watermarks, Mainly of the 17th and 18th Centuries. Hilversum, 1950.
Nicholson, Kitty. Making Watermarks Meaningful: Significant Details in Recording and Identifying Watermarks and Selective Bibliography for the Study of Watermarks. AIC Book and Paper Group, 1982.
Picard. Wasserzeichnungen. 13 vols. to date, Stuttgart, 1961- .
Pulsiano, Phillip. "A Checklist of Books and Articles Containing Reproductions of Watermarks." In: Stephen Spector (ed.), Essays in Paper Analysis. Washington, D.C., The Folger Shakespeare LIbrary, 1987, pp. 115-53.

5) Conservation

Clapp, Anne F. Curatorial Care of Works on Paper. Oberlin, 1978.
Dolloff, Francis W., and Roy L. Perkinson. How to Care for Works of Art on Paper, Museum of Fine Arts, Boston, 1979.
Ellis, Margaret Holber. The Care of Prints and Drawings, Nashville (AASLH Press), ca. 1987.
Hedges, S. Blair. "A method for dating early books and prints using image analysis" Proceedings of the Royal Society A: Mathematical, Physical & Engineering Sciences: http://evo.bio.psu.edu/hedgeslab/Publications/PDF-files/176.pdf
Schweidler Max: The Restoration of Engravings, Drawings, Books, and other Works on Paper. Trans. and ed. by Roy Perkinson. Los Angeles, 2006.
Stevenson, Mark. "A Seventeenth-Century Manual for the Restoration of Prints." Print Quarterly 7 no. 4 (December 1990): 420-24.
Zigrosser, Carl and Christa M. Gaehde. A Guide to the Collecting and Care of Original Prints. Fifth printing, New York, 1969.

6) Market and Collectors

Braat, J., et. al. "Restauratie, conservatie en onderzoek van de op Nova Zembla gevonden zestiende-eeuwse prenten," Bulletin van het Rijksmuseum 28 (1980): 43-89.
Buchanan, Iain. "Dürer and Abraham Ortelius," The Burlington Magazine 124 no. 957 (December 1982): 734-41.
Cohn, Marjorie B. A Noble Collection: The Spencer Albums of Old Master Prints, Cambridge, Massachusetts, Harvard University Art Museums, 1992.
Cohn, Marjorie B. Francis Calley Gray and Art Collecting for America, Cambridge, Massachusetts, Harvard University Art Museums, 1986.
"Collecting Prints: The Buyers Meet the Sellers," Print Collector's Newsletter 16 no. 1 (MarchªApril 1985): 5-10.
Denucé, J. "Prenthandel van Theodoor Galle en Catharina Moerentorf; invantaris van 1636." Antwerpsch Archievenblad 2 (1927): 136-51.
Goddard, Stephen. "The Origin, Use , and Heritage of the Small Engraving in REnaissance Germany," in Stephen Goddard, ed., The World in Miniature: Engravings by the German Little Masters, 1500-1550. Lawrence, Spencer Museum of Art, 1988, pp. 13-29.
Hernad, Béatrice. Die Graphiksammlung des Humanisten Hartmann Schedel. Munich, Prestel-Verlag, 1990.
Ijzerman, J.W. "Hollandsche prenten als handelsartikel te Patani in 1602," In: Koninklijk Instituut voor de Taal-, Land- en Volkenkunde van Nederlandsch-Indië. Gedenkschrift uitgegeven ter gelegenheid van het 75-jarig bestaan op 4 Juni 1926 pp. 84-109.
Landau, David, "Print Collecting in Rome, Paris, and London in the Early Eighteenth Century." In: Harvard University Art Museums Bulletin (Spring 1994): Print Collecting in Sixteenth and Eighteenth Century Europe, M. Victor Leventritt Lectures 7 and 8 April 1993, Arthur M. Sackler Museum. pp. 37-59.
Link, Anne-Marie. "Carl Ludwig Junker and the Collecting of Reproductive Prints," Print Quarterly XII no. 4 (December 1995): 361-74.
Lugt, Frits. Les Marques de Collections de Dessins et d'Estampes. Amsterdam, 1921.
McDonald, Mark."The Print Collection of Ferdinand Columbus 1488-1539: A Renaissance collector in Seville." London, British Museum Press, 2004.
Martin, Sylvie. "Robert-Menge Pariset.The Difficulties of a Lyon Printseller in the Eighteenth Century," Print Quarterly XII no. 3 (September 1995): 231-52.
Metcalfe, Louis R. "A Prince of Print-Collectors: Michel de Marolles, Abbe de Villeloin." Print Collector's Quarterly 2 (1912), pp. 317-340.
Orenstein, Nadine M. Hendrick Hondius and the Business of Prints in Seventeenth-Century Holland. Studies in Prints and Printmaking Volume I. Rotterdam, Sound & Vision Interactive, 1996.
Parshall, Peter, "Art and the Theater of Knowledge: The Origins of Print Collecting in Northern Europe." In: Harvard University Art Museums Bulletin (Spring 1994): Print Collecting in Sixteenth and Eighteenth Century Europe, M. Victor Leventritt Lectures 7 and 8 April 1993, Arthur M. Sackler Museum. pp. 7-36.
"Print Auctions Inside and Out: A Discussion," Print Collector's Newsletter 15 no. 3 (July-Aug 1984): 87-94.
Robinson, William W. "'This Passion for Prints': Collecting and Connoisseurship in Northern Europe during the Seventeenth Century." in Clifford S. Ackley,  Printmaking in the Age of Rembrandt. Boston Museum of Fine Art, 1981, pp. xxvii-xlviii.
Salamon, Ferdinando. The History of Prints and Printmaking from Dürer to Picasso. A Guide to Collecting. New York. Chapter IV "The Last of the Great Collectors."
van der Waals, Jan. De Prentschat van Michiel Hinloopen, een reconstructie ven de eerste openbare papierkunstverzameling in Nederland. Rijksprentenkabinet Amsterdam, 1988.
van der Waals, Jan. Prenten in de Gouden Eeuw: van kunst tot kastpapier. Rotterdam, Museum Boijmans van Beuningen, 2006.
Weigert, R.A. "Le commerce de la gravure en France au XVII siècle: Les Tavernier." In: Bijdragen tot de geschiedenis van de grafische kunst opgedragen aan Prof. dr. Louis Lebeer. Antwerp 1975, pp. 409-40.
Weschler, Lawrence. Mr. Wilson's Cabinet of Wonder. Vintage Books, 1996.

7) Collection Histories

Dückers, Alexander. Das Berliner Kupferstichkabinett: Ein Handbuch zur Sammlung. Berlin, Staatliche Museen zu Berln Preussischer Kulturbesitz, 1994.
Fine, Ruth E. Lessing J. Rosenwald. Tribute to a Collector. Washington, D.C. National Gallery of Art, 1982.
Griffiths, Antony, ed. Landmarks in Print Collecting. Connoisseurs and Donors at the British Museum since 1753. London, British Museum Press, 1996.
Limouze, Dorothy. The Felix M. Warburg Print Collection. A Legacy of Discernment. Poughkeepsie, Vassar College, 1995.
McKenna, George L. Prints 1460-1995. The Collections of the Nelson-Atkins Museum of Art. Kansas City, The Nelson-Atkins Museum of Art, 1996.
Spangenberg, Kristin L. Six Centuries of Master Prints. Treasures from the Herbert Greer French Collection. Cincinnati, Cincinnati Art Museum, 1993.
Wright, Helena E. Prints at the Smithsonian. The Origins of a National Collection. Washington, D.C. National Museum of American Art, 1996.

8) Printmaking Organizations

Baas, Jacquelynn. "The Origins of L'Estampe originale." Museums of Art and Archaeology, The University of Michigan, Bulletin 5 (1982-83): 13-27.
Boyer, Patricia Eckert, and Phillip Dennis Cate. l'Estampe originale. Artistic printmaiking in France 1893-1895. Amsterdam (Van Gogh Museum), 1991.
Burke, James D. Charles Meryon Prints & Drawings. New Haven, 1974.
Czestochowski, Joseph S. James Swann In Quest of a Printmaker, Cedar Rapids Museum of Art, 1990. Appendices "A: Chicago Society of Etchers; B: Prairie Print Makers; C: The Woodcut Society," pp. 99-156.
Fowler, Alfred (Preface). Catalogue Raisonné of The Woodcut Society 1932-1942. Kansas City, The Woodcut Society, n.d.
Marling, Karal Ann, Elizabeth G. Seaton and Bill North. The Prairie Print Makers. Kansas City, Missouri, Mid-America Arts Alliance, 2001.
O'Neil, Barbara Thompson and Foreman, George C. The Prairie Print Makers. Topeka, 1981.
Peters, Lisa. "Print Clubs in America." Print Collector's Newsletter 13 no. 3 (July-Aug. 1982): 88-91.
Print Club of Cleveland, The Print Club of Cleveland 1969-1994. Cleveland, 1994.
Reichman, Jessica and Mary Helm Pollack. A Brief History of the Friends of Art. Manhattan, Kansas, Marianna Kistler Beach Museum of Art, 1995.

9)Printers and Publishers

Adhémar, J. "Les premiers éditeurs d'estampes," Nouvelles de l'estampe 1972 no. 6, pp. 3-5.
Ashley, Mark. "Art for the Walls of America." Esquire Magazine 17 (May 1942): 62, 98.
Becker, David P. Vinalhaven at Bowdoin: One Press, Multiple Impressions. Brunswick, Maine (Bowdoin College Museum of Art), 1992.
Bonafous-Murat, Anne and Arsène. "Maurice Dumont éditeur de L'Épreuve," in: Jean-Pierre Seguin, et. al., Maurice Dumont 1869-1899. Peintre-graveur, illustrateur, poète et éditeur de L'Epreuve. Paris (Bibliothèque historique de la ville de Parris), 1991, pp. 61-86.
Boorsch, Suzanne and Michal and R.E. Lewis. "Ghisi's Publishers" and "The French Royal Privilege," in: The Engravings of Giorgio Ghisi. New York, 1985pp. 229-234.
Brody, Jacqueline. "Sort of a Commercial for Prints." Typescript, 1999.
Buttler, Charles T. and Marilyn Laufer. Recent Graphics from American Print Shops, Mitchell Museum, 1986.
Field, Richard S. "Collaboration East & West: A Discussion." Print Collector's Newsletter 16 no. 6 (Jan.-Feb., 1986): 197-205.
Fine, Ruth. Gemini G.E.L. Art and Collaboration. New York, 1984.
Flint, Janet. Art for All: American Print Publishing Between the Wars. Washington, D.C., National Gallery of Art, 1980.
Gallant, Aprile and David P. Becker, In Print: Contemporary Artists at the Vinalhaven Press, Portland Museum of Art, Maine, 1997.
Gilmour, Pat, et. al., Aldo Crommelynck. London (Waddington Graphics), 1986
Gilmour, Pat. "Picasso & his Printers," Print Collector's Newsletter 18 no. 3 (July-Aug. 1987): 81-90.
Gilmour, Pat, "Symbiotic Exploitation or Collaboration: Dine & Hamilton with Crommelynck," Print Collector's Newsletter 15 no. 6 (Jan-Feb 1985): 193-98.
Gilmour, Pat, Ken Tyler and the American Print Renaissance, New York, 1986.
Griffiths, Antony, and Craig Hartley. "Print Publishing in the Seventeenth Century" and "The Production and Publishing of Bellange's Prints" in: Jacques Bellange c. 1575-1616. Printmaker of Lorraine. London, The British Museum Press, 1997, pp. 24-26, 33-35.
Ivins, William M. Jr. "Notes on Three Dürer Woodblocks," Metropolitan Museum Studies 2 (1929-1930): 102-11.
Loring, John. "Bad Printing," Print Collector's Newsletter VI no. 1 (March-April 1995): 1-2, 21.
Parshall, Peter. "Reading the Renaissance Woodcut: The Odd Case of the Master N.H. & Hans Lützelburger,"The Register of the Spencer Museum of Art 6 no. 6 (1989): 30-43.
Pon Lisa. "Prints and Privileges. Regulating the Image in 16th-Century Italy," Harvard University Art Museums Bulletin vi no. 2 (Fall 1998): 40-64.
Riggs, Timothy. Hieronymus Cock, Printmaker and Publisher. New York, 1977.
Riggs, Timothy, and Larry Silver. Graven Images: The Rise of Professional Printmakers in Antwerp and Haarlem 1540-1640
Ruzicka, Joseph, ed., Landfall Press: Twenty-Five Years of Printmaking, Milwaukee Art Museum, 1996.
Sénéchal, Ph. "Justus Sadeler, Print Publisher and Art Dealer in Early Seicento Venice." Print Quarterly 7 (1990): 22-35.
Sparks, Esther, Universal Limited Art Editions -- A History and catalogue: The First Twenty-Five Years, Chicago, Chicago Art Institute and New York, Harry N. Abrams, 1989.
Stevens, Andrew, Tandem Press. Five Years of Collaboration and Experimentation. Madison, Elvehjem Museum of Art, 1994.
Stewart, A.G. "Early Woodcut Workshops." Art Journal, 39 (1979-80: 189-90.
Walker, Barry. Printmaking in America: Collaborative Prints and Presses, 1960-1990, New York, Harry N. Abrams, 1995.

10) Digital Printing

Baur, Hans, et. al. Design Kunst Computer. Kassel, 1991.
Besser, Howard, and Jennifer Trant. Introduction to Imaging. (Getty Art History Information Program), 1995.
Fillin-Yeh, Susan. The Technological Muse. Katonah Museum of Art, 1991.
Gartel, Laurence. A Cyberspace Romance. Layton (Utah), 1989.
Goodman, Cynthia. Digital Vissions. New York, 1987.
Grotta, Sally Wiener and Daniel. Digital Imaging for Visual Artists. New York, 1994.
"In the Beginning." Hands on Paper 1 no. 1 (1998): 6-13.
Karlsruhe, Zentrum für Kunst und Medientechnologie. Moving Images... 1992.
Leavitt, Ruth. Artist and Computer. Morristown, 1976.
Lovejoy, Margot. Postmodern Currents: Art and Artists in teh Age of Electronic Media. Ann Arbor, 1989.
Loveless, Richard. The Computer Revolution and the Arts. Gainesville, 1986.
Moser, Mary Anne, er. al, ed. Immersed in Technology: Art and Virtual Environments. Cambridge (MIT), 1996.
Penny, Simon. Critical Issues in Electronic Media. New York, 1995.
Reichardt, Jasia. Cybernetics, Art, and Ideas. 1971.
Robbin, Tony. Fourfield: Computers and the Fourth Dimension. Boston, Toronto, and London, 1992.

11) Originality and Authenticity

"Around the Block, Theft, Charity, Fraud, and Religion," Art and Auction (Nov. 1985): 18-24.
Austin, Gabriel. "Alice in Dali-land," Print Collector's Newsletter 3 no. 2 (May-June 1972): 25-26.
Cahn, Joshua Binion, ed. What is an Original Print? New York (Print Council of America), 1961, 64, 67.
Cone, Timothy. "Dalí's Lawyer Takes a Stand," Arts magazine (May 1990): 29-30.
"Dali Dailies," Print Collector's Newsletter 16 no. 2 (May-June 1985): 54.
Donson, Theodore B. Prints and the Print Market, A Handbook for Buyers, Collectors, and Connoisseurs. New York, 1977. Chapter iv, "Spurious Prints, Fakes, Forgeries, and Falsified Proofs," pp. 111-47.
Malenfant, Nicole and Richard Ste-Marie. Code d'éthique de l'estampe originale / Code of Ethics For Orignal Printmaking. Montreal, Conseil québécois de l'estampe, 2000.
Morse, A. Reynolds. "Who's Dali's Publisher?" Print Collector's Newsletter 3 no. 3 (July-Aug. 1972): 54-55.
"On Originality,"Print Collector's Newsletter 3 no. 2 (May-June 1972): 25-26, 28-29 (Richard S. Field, Hubert Prouté, and June Wayne).

12) Print Appreciations

Baskin, Leonard. Five Addled Etchers, Hanover, 1969, pp. 35-41.
Craven,Thomas. A Treasury of American Prints: A Selection of One Hundred Etchings and Lithographs by the Foremost Living American Artists. New York, 1939.
Fowler, Alfred, ed. The Romance of Fine Prints Kansas City, 1938.
Field, Richard S. "Sentences on Printed Art," Print Collector's Newsletter 25 no. 5 (Nov.-Dec. 1994): 171.
Parshall, Peter. "Camerarius on Dürer-Humanist Biography as Art Criticism." In: Joachim Camerarius (1500-1574) Beiträ zur Geschichte des Humanismus im Zeitalter der Reformation / Essays on the History of Humanism During the Reformation ed. by Frank Baron. Humanistische Bibliothek, Abhandlungen, 24. Munich, 1978, pp. 11-29.
Worthen, Amy. "Prints in Words" Print Collector's Newsletter 5 no. 3 (July-Aug. 1974): 56-58.
Zigrosser, Carl. Multum in Parvo. An Essay on Poetic Imagination. New York, 1965.

13) Reference: Some Major Multi-artist Catalogues

Andresen, Andreas. Der Deutsche Peintre-Graveur, oder die Deutschen Maler als Kupferstecher .... 1560-1800. Leipzig, 1864-1878.
Beraldi, Henri. Les graveurs du XIXe siecle; guide de l'amateur d'estampes modernes. 12 vols., Paris, 1885-1892. Basic dictionary of 19th century printmakers, especially French.
Berliner, Rudolf. Ornamental Vorlageblätter des 15 bis 18 Jahrhunderts. 3 vols., Leipzig, 1926. The basic illustrated study of the ornamental print.
Delen, A.J.J. Histoire de la gravure dans les anciens Pays-Bas et dans les provinces belges, des origines jusqu'a la fin du XVIIIe siecle. 2 vols, in 3 parts, Paris & Brussels, 1924-35. Major work on prints from the Low Countries before 1800.
Delteil, Loys. Le peintre-graveur illustre. 31 vols., Paris, 1906-1930. Catalogues raissones of major printmakers of the 19th & 20th centuries, especially French.
Delteil, Loys. Manuel de l'amateur d'estampes du XVIIIe siecle. Paris, 1910. Major work on 18th century prints, especially French.
Duplesis, Georges. Dictionnaire des marques et monogrammes de graveurs. 3 vols., Paris, 1886-1887. Dictionary of artists monograms.
Duplesis, Georges. Catalogue de la Collection des Portraits Francais et Etrangers Conserv‚e au Departement des Estampes de la Bibliotheque National. Paris, 1896-1911.
Dutuit, Eugene. Manuel de l'amateur d'estampes. 4 vols., Paris, 1884-1885.
Field, R.S., L.S. Richards, and A. Shestack. A Census of Fifteenth-Century Prints in Public Collections of the United States and Canada. New Haven, 1985 and 1995?.
Field, Richard S. The Illustrated Bartsch (Supplement) German Single Leaf Woodcuts Before 1500. New York (Abaris) 4 vols. to date. "The illustrated Schreiber."
Geisberg, Max. The German Single-Leaf Woodcut, 1500-1550. 4 vols., New York, 1974.
Hind, Arthur M. Early Italian engraving, a critical catalogue with complete reproduction of all the prints described. 7 vols., London & New York, 1938-1948. Copies can be found in the printroom and the Spencer Research Library.
Hind, Arthur M. Engraving in England in the Sixteenth and Seventeenth Centuries. 3 vols., Cambridge, 1952-1964.
Holstein, F.W.H. Dutch and Flemish etchings, engravings and woodcuts, c. 1450-1700. 25 volumes projected, Amsterdam, 1949--.
Holstein, F.W.H. German engravings, etchings and woodcuts, c. 1400-1700. 22 vols. to date, Amsterdam, 1954 --.
Incorporated Print Sellers' Association of London. An Alphabetical List of Engravings Declared at the Office of the Printsellers' Association, London. 3 vols., (including index), London, 1892-1912 (covers 1847-1911).
Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederländischen und franz”sischen Kupferstichs im XV. Jahrhundert. 9 vols., Vienna, 1908-1934. Basic catalog of 15th century Northern European engravings.
Nagler, Georg Kaspar. Monogrammisten. Munich, 1914. An Excellent dictionary of monograms, a copy is found in the Spencer Research Library.
New York Public Library. Dictionary Catalog of the Prints Division. 5 vols., Boston, 1975.
The New Hollstein. Roosendaal.
Nijhoff, W. Nederlandsche houtsneden 1500-1550. 'sGravenhage, 1931-1939.
Paris, Bibliotheque National, Departement des Estampes: Inventaire des Fonds Français apres 1800. (J. Laran, J. Adhemar et. al.) 14 vols. to date, 1930- 19 .
Paris, Bibliotheque National, Departement des Estampes. Inventaire des Fonds Français, Graveurs du XVIIe Siècle. (R.-A. Weigert, M. Preaud, et.al.), 9 vols. to date, 1939- 19 .
Paris, Bibliotheque National, Departement des Estampes. Inventaire des Fonds Français, Graveurs du XVIIIe Siècle. (M. Roux, et. al.), 14 vols., 1930- .
Paris, Bibliotheque National, Departement des Estampes. Inventaire des Fonds Français, Graveurs du XVIe Siècle. (A. Linzeler, J. Adhemar), 2 vols., 1932-1971.
Paris, Bibliotheque National, Departement des Estampes. Inventaire des Gravures des Ecoles du Nord 1440-1550. (ed. Michele Hebert) 2 vols. Paris, 1982-1983.
Passavant, J.D. Le Peintre-Graveur. 6 vols., Leipzig, 1860-1864. Deals with prints before 1600.
Portalis, Roger, & Beraldi, Henri. Les Graveurs du Dix-Huitieme Siècle. 3 vols., Paris, 1880-1882.
Riggs, Timothy. The Print Council Index to Oeuvre-Catalogues of Prints by European and American Artists. New York, 1983.
Robert-Dumesnil, A.P.F. Le peintre-graveur français, ou Catalogue raisonne des estampes graves par les peintres et les dessinateurs de l'ecole française. 11 vols., Paris, 1835-1871. Basic catalog of French printmakers.
Schreiber, Wilhelm Ludwig. Handbuch der Holz- und Metalschnitte des XV. Jahrhunderts. 11 vols., Stuttgart, 1969-1976 (3rd ed., expanded). Monumental catalog of 15th century wood and metalcuts.
Strutt, Joseph. Biographical Dictionary of All Engravers, London, 1785 (Reprint: Geneva, 1972).
van der Kellen, J. Philippus. Le peintre-graveur hollandais et flamand, ou catalogue raisonné‚ des estampes graves par les peintres de l'‚école hollandaise et flamand. Utrecht, 1866-1873.
von Bartsch, Adam. Le peintre graveur. 21 vols., Vienne, 1803-1821. "The foundation work for the modern systematic study of Dutch, Flemish, German, and Italian painter-engravers through the 17th century."
von Bartsch, Adam. The Illustrated Bartsch. New York, 1979 --. Illustrations to the above, with annotations.