Virtuosity in 16th-Century Printmaking
(Dürer and Goltzius)
HA 505 / 705
Spring 2002
Stephen Goddard
WORKING BIBLIOGRAPHY
Dürer
Anderson, Christiane, and Charles Talbot. From Mighty Fortress. Prints, Drawings, and Books in the Age of Luther 1483-1546 (Detroit, Detroit Institute of Arts, 1983).
Anzelewsky, Fedja. Albrecht Dürer. (London, 1982).
Balus, Wojceich. "Dürer’s Melencolia I: Melancholy and the Undecidable." Artibus et Historiae, an Art Anthology no.30 (XV) 1994.
Beck, Herbert and Bernhard Decker, eds. Dürer’s Verwandlung in der Skulptur zwischen Renaissance und Barock. (Frankfurt a.M.: Leibieghaus Museum alter Plastik, 1981).
Bialostocki, Jan. "La ‘Mélancolie Paysanne’ d’Albrecht Durer." Gazette des Beaux-Arts (October 1957): 195-202.
Boorsch, Suzanne and Nadine M. Orenstein. "The Print in the North: The Age of Albrecht Durer and Lucas van Leyden." The Metropolitan Museum of Art Bulletin 55 (1997): 3-12.
Boston Museum of Fine Arts, Albrecht Dürer: Master Printmaker. (Boston: Museum of Fine Arts, 1971).
Buchanan, Ian. "Dürer and Abraham Ortelius," Burlington Magazine 124 (1982): 734-41.
Butts, Barbara, Tom Rassieur, and Mark S. Weil. Men, Women, and God. German Renaissance Prints from St. Louis Collections. (Saint Louis: The Saint Louis Art Museum, 1997).
Dackerman, Susan, William Noel and Abigail Cuthbertson. Book Arts in the Age of Dürer. (Baltimore: Baltimore Museum of Art, 2001).
Eichberger, Dagmar and Charles Zika. Dürer and his Culture. (Cambridge (U.K.) and New York: Cambridge University Press. 1998).
Field, Richard S. Albrecht Dürer 1471-1528: A Study Exhibition of Print Connoisseurship. (Philadelphia: Philadelphia Museum of Art, 1970-1971).
Grigg, Robert. "Studies on Dürer’s Diary of his Journey to the Netherlands: The Distribution of the Melencolia I." Zeitschrift für Kunstgeschichte 49 no. 3 (1986): 398-409.
Hauptman, William "Persistance of Melancholy in Nineteenth-century Art." Doctoral dissertation, The Pennsylvania State University, 1975.
Heckscher, William S. "Melancholia (1541). An Essay in the Rhetoric of Description by Joachim Camerarius." In: Frank Baron, ed., Joachim Camerarius (1500-1574) Beiträge zur Geschichte des Humanismus im Zeitalter der Reformation / Essays on the History of Humanism During the Reformation. Humanistische Bibliothek, Abhandlungen 24 (Munich, 1978): 32-103
Hutchison, Jane Campbell. Albrecht Dürer, a Biography. (Princeton, 1990).
Hutchison, Jane Campbell (mistakenly published as Hutchinson). Albrecht Durer: A Guide to Research. (New York, 2000).
Kantor, Jordan. Dürer’s Passions. (Cambridge, Mass.: Harvard University Art Museums, 2000).
Klibansky, Raymond, Erwin Panofsky, and Fritz Saxl. Saturn and Melancholy / Studies in the History of Natural Philosophy, Religion and Art. (London, 1964).
Landau, David, and Peter Parshall, The Renaissance Print. (New Haven, 1994).
Lynch, Terence. "The Geometric Body in Dürer’s Engraving Melencolia I." Journal of the Warburg and Courtauld Institutes 45 (1982): 226-33.
MacGillavery, Caroline H. "The Polyhedron in A. Dürer’s Melencolia I." Koninklijke Nederlandse Akademie van Wetenschappen, Proceedings Series B 84 no. 3 (September 1981): 287-94.
Mende, Matthias. Dürer-Bibliographie. (Wiesbaden, 1971).
Moxey, Keith. "Panofsky’s Melancolia." In his The Practice of Theory, Poststructuralism, Cultural Politics, and Art History. (Ithaca and London: 1994). Chapter 4, pp. 65-78.
Oehler, Lisa. "Das Dürermonogramm auf Werken der Dürerschule." Städel-Jahrbuch n.f. 4 (1973): 37-80.
Panofsky, Erwin. The Life and Art of Albrecht Dürer (Princeton, 1954).
Parshall, Peter. "Camerarius on Dürer. Humanist Biography as Art Criticism." In: Frank Baron, ed., Joachim Camerarius (1500-1574) Beiträge zur Geschichte des Humanismus im Zeitalter der Reformation / Essays on the History of Humanism During the Reformation. Humanistische Bibliothek, Abhandlungen 24 (Munich, 1978): 11-29.
Parshall, Peter. "Albrecht Dürer and the Axis of Meaning." Allen Memorial Art Museum Oberlin College Bulletin 50 no. 2 (1997): 5-32.
Read, John. "Dürer’s Melencolia: An Alchemical Interpretation." Burlington Magazine 87 (Nov. 1945): 283-4.
Rodes, David, ed., Melencolia I Albrecht Dürer in the UCLA Grunwald Center for the Graphic Arts. http://www.hammer.ucla.edu/collections/durer/pages/title.html
Rupprich, Hans. Dürer Schriftlicher Nachlass. 3 vols. (Berlin, 1956).
Smith, Jeffrey Chipps. Nuremberg. A Renaissance City, 1500-1618 (Austin, University of Texas, 1983).
Smith, Jeffrey Chipps (ed). New Perspectives on the Art of Renaissance Nuremberg, Five Essays. (Austin, University of Texas, 1985).
Sohm, Philip L. "Dürer’s Melencolia I: The Limits of Knowledge." Studies in the History of Art 9 (1981): 13-31.
Stechow, Wolfgang. "State of Research: Recent Dürer Studies." Art Bulletin 56 (1974): 259-70.
Strauss, Walter L. The Complete Drawings of Albrecht Dürer, 6 vols (New York, 1974); suppl. (New York, 1977), suppl. 2 (New York, 1982).
Strauss, Walter L. Albrecht Dürer: Intaglio Prints, Engravings, Etchings and Drypoints (New York, 1975).
Strauss, Walter L., ed.: Albrecht Dürer: Woodcuts and Woodblocks (New York, 1980).
Professional Engraving & Engravers
Campbell, Mungo. The Stylish image : printmakers to the court of Rudolf II. Introductory essays by R.J.W. Evans and Eliska Fucíková. (Edinburgh: Trustees of the National Galleries of Scotland, 1991).
Filedt Kok, Jan Piet. "Jan Harmensz. Muller as Printmaker I." Print Quarterly 11 no. 3 (September 1994): 223-65.
Filedt Kok, Jan Piet, et. al. "Jan Harmensz. Muller as Printmaker II." Print Quarterly 11 no. 4 (1994): 351-78.
Filedt Kok, Jan Piet. "Jan Harmensz. Muller as Printmaker III." Print Quarterly 12 no. 1 (March 1995): 3-29.
Kemp, Martin. "Coming into line: Graphic demonstrations of skill in Renaissance and Baroque engravings," in: John Onians (ed.), Sight & Insight. Essays on art and culture in honour of E. H. Gombrich at 85 (London: Phaidon Press Ltd, 1994).
Limouze, Dorothy. "Aegidius Sadeler (1570-1629): Drawings, Prints, and the Development of tn Art Theoretical Attitude." In: Prag um 1600. Beiträge zur Kunst und Kultur am Hofe Rudolfs II. (Luca: Verlag Freren, 1988), pp. 183-92.
Limouze, Dorothy. "Aegidius Sadeler, Imperial Printmaker." Bulletin, Philadelphia Museum of Art 85 no. 362 (Spring, 1989): 1-24.
Melion, Walter L. "Theory & Practise: Reproductive Engravings in the Sixteenth-Century Netherlands." In: Timothy Riggs and Larry Silver, Graven Images. The Rise of Professional Printmakers in Antwerp and Haarlem 1540-1640. (Evanston: Mary and Leigh Block Gallery, Northwestern University,: 1993): pp. 47-70.
Mielke, Hans, ed. Manierismus in Holland um 1600. Kupferstiche, Holzschnitte und Zeichnungen aus dem Berliner Kupferstichkabinett. (Berlin: Staatliche Museem Preussischen Kulturbesitz, 1979).
(Oberhuber,Konrad). Zwischen Renaissance und Barock. Deas Zeitalter von Bruegel und Bellange. Die Kunst Der Graphik IV. (Vienna: Graphische Sammlung Albertina, 1967). Arno reprint 1968.
Riggs, Timothy and Larry Silver, Graven Images. The Rise of Professional Printmakers in Antwerp and Haarlem 1540-1640. (Evanston: Mary and Leigh Block Gallery, Northwestern University, 1993).
Sellink, Manfred. Cornelis Cort : constich plaedt-snijder van Horne in Hollandt / accomplished plate-cutter from Hoorn in Holland (Rotterdam: Museum Boymans-Van Beuningen, c1994).
van Mander, Carel. Den grondt der edel vry schilder-const. Edited by Hessel Miedema.(Utrecht: Haentjens Dekker & Gumbert, 1973).
van Mander, Carel. The Lives of the Illustrious Netherlandish and German Painters [...] Edited by Hessel Miedema. (Doornspijk: Davaco Publishers, 1994).
van Straten, Roelof. Hendrik Goltzius and his school : an iconographic index to A. Bartsch, Le peintre-graveur, vol. 3 (Leiden: Foleor Publishers, 1994). [Iconclass indexes. Dutch prints. V. 4]
Veldman, Ilja M. Maarten van Heemskerck and Dutch humanism in the sixteenth century. (Maarssen: Gary Schwartz, 1977). Trans. Michael Hoyle.
Veldman, Ilja. M. De Wereld tussen Goed en Kwaad. Late prenten van Coornhert. (‘s-Gravenhage: SDU uitgeverij, 1990).
Veldman, Ilja M. "Keulen als toevluchtsoord voor Nederlandse kunstenaars (1567-1612)." Oud Holland 107 no. 1 (1993): 33-58.
Veldman, Ilja M. Crispijn de Passe and his Progeny (1564-1670). A Century of Production. Studies in Prints and Printmaking 3. (Rotterdam: Sound and Vision, 2001).
Worthen, Amy Namowitz. "Calligraphic Inscriptions on Dutch Mannerist Prints." Nederlands Kunsthistorisch Jaarboek 42-43 (1991-92): 261-306.
Goltzius
Acton, David. "The Northern Masters in Goltzius’s Meisterstiche," Bulletin, Museum of Art and Archaeology, University of Michigan 4 (1981): 40-53.
Bialler, Nancy. Chiaroscuro Woodcuts. Hendrick Goltzius (1558-1617) and his Time. (Amsterdam: Rijksmuseum, 1992).
Birdsong, Sherri L. "Virtuosity of Technique: The Chiaroscuro Woodcuts of Hendrick Goltzius." In: Glenn Harcourt, ed. Hendrick Goltzius and the Classical Tradition (Los Angeles: Fisher Gallery, University of Southern California: 1992), pp. 56-61.
Brandt, Aurelia. "Goltzius and the Antique." Print Quarterly 28 no. 2 (June 2001): 135-48.
Davis, Bruce. "Hendrick Goltzius and Printmaking: Between Renaissance and Baroque." In: Glenn Harcourt, ed. Hendrick Goltzius and the Classical Tradition (Los Angeles: Fisher Gallery, University of Southern California: 1992), pp. 20-23.
den Broeder, Frederick. Hendrik Goltzius & the Printmakers of Haarlem. (Storrs: Museum of Art, the University of Conecticut, 1972).
Goddard, Stephen H. and James A. Ganz. Goltzius & the Third Dimension. (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2001).
Hendrix, Lee. "Conquering Illusion: Bartholomeus Spranger’s Influence in Venus and Mars Surprised by Vulcan by Hendrick Goltzius." In: Glenn Harcourt, ed. Hendrick Goltzius and the Classical Tradition (Los Angeles: Fisher Gallery, University of Southern California: 1992), pp. 66-72.
Hirschmann, Otto. Verzeichnis des Graphischen Werks von Hendrick Goltzius. (Brunswick: Klinkhardt & Biermann, 1976).
Holman, Beth L. "Goltzius; Great Hercules: mythology, art and politics," Nederlands Kunsthistorisch Jaarboek 42-43 (1991-1992): 397-412.
Krystof, Doris. Werben für die Kunst : bildliche Kunsttheorie und das Rhetorische in Kupferstichen von Hendrick Goltzius. (Hildesheim and New York: G. Olms, 1997).
Lowenthal, Anne Walter. "The Disgracers: Four Sinners in One Act." In: Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on his Sixtieth Birthday (Doornepijk: Davaco Publishers, 1983)
Limouze, Dorothy. "Engraving as Imitation: Goltzius and his Contemporaries." Nederlands Kunsthistorisch Jaarboek 42-43 (1991-1992): 439-453.
Luijten, Ger and A.W.F.M. Meij, "From Pisanello to Cézanne. Master Drawings from the Museum Boymans-van Beuningen, Rotterdam. (Cambridge: Cambridge University Press, 1990).
Luijten, Ger, et. al. (eds.) Dawn of the Golden Age. Northern Netherlandish Art 1580-1620. (Amsterdam: Rijksmuseum, 1993)
Melion, Walter S. "Karel van mander’s ‘Life of Goltzius’: Defining the Paradigm of Protean Virtuosity in Haarlem around 1600." Studies in the History of Art 27 (1989): 113-33.
Melion, Walter S. "Hendrick Goltzius’s Project of Reproductive Engraving," Art History 13 no. 4 (1990): 458-87.
Melion, Walter S. Shaping the Netherlandish Canon. Karel van Mander’s Schilder-Boeck. (Chicago and London: The University of Chicago Press, 1991).
Melion, Walter S. "Piety and Pictorial Manner in Hendrick Goltzius’s Early Life of the Virgin." In: Harcourt, Glenn (ed.) Hendrick Goltzius and the Classical Tradition. (Los Angeles:, Fisher Art Gallery, University of Southern California, 1992), pp. 44-51.
Melion, Walter S. "Vivae dixisses virginis ora: the discourse of color in Hendrick Goltzius’s Pygmalion and the Ivory Statue." Word & Image 17 nos. 1-2 (Jan.-June 2001): 153-76.
Melion, Walter S. "Memorabilia aliquot Romanae strenuitatis exempla: The Thematics of Artisanal Virtue in Goltzius’s Roman Heroes." MLN 110 (1995): 1091-34.
Melion, Walter S. "Love and Artisanship in Hendrick Goltzius's Venus, Bacchus, and Ceres of 1606." Art History 16 no. 1 (March 1993): 60-94.
Nesbitt, Elizabeth. "An Artist Picturing Art: Goltzius’s Portrait of the painter Hans Bol and Pygmalion and Galatea." In: Harcourt, Glenn (ed.) Hendrick Goltzius and the Classical Tradition. (Los Angeles: Fisher Art Gallery, University of Southern California, 1992), pp. 52-55.
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Plötz, Robert., ed. Der Kupferstecher Hendrick Goltzius 1558-1617. (Cleves: Boss-Druck &Verlag Kleve, 1982).
Reznicek, E.K.J. Die Zeichnungen von Hendrick Goltzius (Utrecht: orbis artium. Utrechts kunsthistorisches studiën VI, 1961)
Reznicek, E.K.J. Hendrick Goltzius Drawings Rediscoverd 1962-1992 (New York: Master Drawings Association, Inc., 1993)
Schmidt, Heinrich J. "Wechselwirkungen in der bildenden Kunst zwischen dem Niederrhein und den Niederlanden." Niederrheinisches Jahrbuch 8 (1965): 89-95
Strauss, Walter L. Hendrick Goltzius 1558-1617: The Complete Engravings and Woodcuts. 2 vols. (New York: Abaris Books, 1977)
van Thiel, Pieter J.J. Cornelis Cornelisz van Haarlem 1562-1638. A Monograph and Catalogue Raisonné. (Doornspijk, 1999).
Printmaking and Sculpture
Bober, Phyllis Pray, and Ruth Rubinstein. Renaissance Artists & Antique Sculpture. A Handbook of Sources. (Oxford: Oxford University Press, 1986).
Camins, Laura. Renaissance & Baroque Bronzes from the Abbott Guggenheim Collection. (San Francisco: The Fine Arts Museums of San Francisco, 1988).
Jolly, Anna. "Netherlandish sculptors in sixteenth-century northern Germany and their Patrons." Simiolus 27 no. 3 (1999): 119-43.
Krahn, Volker, "Von allen Seiten schön," in Volker Krahn (ed.) Von Allen Seiten Schön, Bronzen der Renaissance und des Barock. (Berlin: Staatliche Museen zu Berlin Preussischer Kulturbesitz, 1995), pp. 10-33.
Leeuwenberg,Jaap, and Willy Halsema-Kubes. Beeldhouwkinst in het Rijksmuseum (Amsterdam: Staatsuitgeverij, 1973).
Leuschner, Eckhard. "Francesco Villamena’s Apotheosis of Alessandro Farnese and engraved reproductions of contemporary sculpture around 1600." Simiolus 27 no. 3 (1999): 145-67.
Scholten, Frits. Adriaen de Vries 1556-1626. (Amsterdam: Rijksmuseum, 1998).
Tetrode
Auersperg, Johannes. "Willem Danielsz. Van Tetrode / A Nude Warrior." Studiolo (1996): 1-7.
Auersperg, Johannes. "A Bronze Figure of The Hercules Pomarius by Willem Danielsz. Van Tetrode." Studiolo (1996) 1-8.
Boon, K.G. "Vier tekeningen van Willem Danielsz. Tetrode." Oud Holland 80 (1965): 205-210.
Halsema-Kubes, Wilhelmina. "Tetrode, Willem Danielsz. van" in The Grove Dictionary of Art.
Montias, John Michael. Artists and Artisans in Delft. A Socio-Economic Study of the Seventeenth Century. (Princeton: Princeton University Press, 1982)
Nijstadt, Jaap. "Willem Danielsz. Van Tetrode." Nederlands Kunsthistorisch Jaarboek 37 (1986): 259-79.
Nijstadt, Jaap." Willem Danielsz. Van Tetrode 1525? voor 1588?" in: J. P. Filedt Kok et al. (eds.) Kunst voor de beeldenstorm. (Amsterdam: Rijksmuseum, 1896): 456-61.
Radcliffe, Anthony. "Schardt, Tetrode and some possible sculptoral sources for Goltzius." In: Cavalli-Björkman, Görel (ed.), Netherlandish Mannerism. Papers given at a symposium in nationalmuseum Stockholm, September 21-22, 1984 (Nationalmusei Skriftserie N.S. 4) (Stokholm: Nationalmuseum, 1985): 97-108.
van Binnebeke, E.J.B.D. "Een godheid zonder harnas.Over Van Tetrode, Goltzius en een bronzen Olympiër." Bulletin van het Rijksmuseum 41 no. 1 (1993): 16-19.
Van Der Sterre, Jetty. "Weerdt [Weert], Adriaen de." In The Grove Dictionary of Art.
Paragone
Farago, Claire. Paragone in the Grove Dictionary of Art.
Hecht, Peter. The Paragone debate: ten illustrations and a comment. Simiolus 14 no. 2 (1984): 125-36.
Panofsky, Erwin. Galileo as a Critic of the Arts (The Hague: Martinus Nijhoff, 1954).